Download Braeside Font Family Style
Download Braeside Font Style Family
family of 2 fonts from Typodermic
Braeside is a square, industrial stencil font available in regular and outline styles.
family of 2 fonts from Typodermic
Braeside is a square, industrial stencil font available in regular and outline styles.
53 all-original, all-terrifying zombie illustrations by Nate Piekos and Lee Morin!
Also included is a character map so you can pick that perfect undead dingbat!
53 all-original, all-terrifying zombie illustrations by Nate Piekos and Lee Morin!
Also included is a character map so you can pick that perfect undead dingbat!
family of 1 font from Canada Type
Digitized from the handwriting of Simone Wilkie’s son, Boyscout is a font that demonstrates a mix between the power of learning and individual creative development of a seven year old child.
Based on a typeface originally called “Seven Flare”, this offering has a warm, slightly naive grace and a casual nostalgic charm. In addition, kerning has been applied to all possible letter combinations, so that you can mix the upper and lowercase letters in any combination you please.
Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
Based on a typeface originally called “Seven Flare”, this offering has a warm, slightly naive grace and a casual nostalgic charm. In addition, kerning has been applied to all possible letter combinations, so that you can mix the upper and lowercase letters in any combination you please.
Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).
family of 1 font from Ingrimayne Type
Bowling pins with letters on them. (If you want just the letters with no pins, try InsideLetters.)
family of 1 font from Ingrimayne Type
Bowling pins with letters on them. (If you want just the letters with no pins, try InsideLetters.)
font family from wearecolt, added today
Bowler Hand had been created from hand drawn letter forms using a rotting ink pen which gives the font a great look.
font family from wearecolt, added today
Bowler Hand had been created from hand drawn letter forms using a rotting ink pen which gives the font a great look.
Bourne is a comprehensive text and display sans-serif family consisting of 21 typefaces, all with a range of features including stylistic alternates, discretionary ligatures, as well as old-style and tabular numeral forms and fractions.
The 21 typefaces include two widths and three weights of type as well as square and round terminal forms and oblique faces. Three specialised display faces are also included. The face is ideal for establishing a consistent ‘look’ across a range of projects and could readily become the basis of an organisation’s house publication style.
Bourne works well in poster and large scale design work, as well as for the setting of large amounts of text. Individual faces are priced economically and substantial discounts are offered for packs of multiple typefaces.
Bourne is a comprehensive text and display sans-serif family consisting of 21 typefaces, all with a range of features including stylistic alternates, discretionary ligatures, as well as old-style and tabular numeral forms and fractions.
The 21 typefaces include two widths and three weights of type as well as square and round terminal forms and oblique faces. Three specialised display faces are also included. The face is ideal for establishing a consistent ‘look’ across a range of projects and could readily become the basis of an organisation’s house publication style.
Bourne works well in poster and large scale design work, as well as for the setting of large amounts of text. Individual faces are priced economically and substantial discounts are offered for packs of multiple typefaces.
Bouquet font is a cursive fat typeface influenced by brush writing and skilfully flavored with elements of fractur. The result is really amazing a font with bespoke personality, strong unique presence and classy standing out amongst the other look.
Type designer Dzianis Serabrakou really did well in every single letterform, aperture, curve and line, but this was probably below satisfactory and he didnt stop here Denis developed the font to a higher level by making it fully open-type compatible.
Bouquet supports large set of multilingual diacritics plus a beautifully designed set of Cyrillic characters. Additionally you will be able to use also ligatures and really lots of alternative symbols to bring more life, versatility and personalization in your work.
Initially Bouquet has been designed as a logo font it is so identical that could easily turn every brand name into logo icon. Furthermore this font is perfect for designing t-shirts, typographic posters, packaging etc and it is highly recommended for letterpress as well as for normal offset and screen printing.
family of 1 font from Wordshape
The digital debut of Oz Cooper’s “Moderne” Broadway-esque titling typeface, Boul Mich!
family of 1 font from Wordshape
The digital debut of Oz Cooper’s “Moderne” Broadway-esque titling typeface, Boul Mich!
Bougainville was inspired by many of my favorites and has been on the drawing board in excess of ten years. Only this year I decided to expand the original 1994 design to include other weight variants.
The quirky Binner Gothic-inspired high axis and its funky g, rounded e, angled stroke endings together with the influence of contemporary designs such as Officina Sans, Din Mittelschrift and MetaPlus, Bougainville exhibits a similar flavor and compactness to Bodega Sans.
More…
This typeface family has been named in honor of the renowned eighteen-century French mathematician and explorer Louis-Antoine de Bougainville to whom we owe the naming of South Sea Islands and colorful tropical flora he discovered along his journey.
Bougainville makes for effective headings at any size and is equally readable at semi-display sizes.
Bougainville was inspired by many of my favorites and has been on the drawing board in excess of ten years. Only this year I decided to expand the original 1994 design to include other weight variants.
The quirky Binner Gothic-inspired high axis and its funky g, rounded e, angled stroke endings together with the influence of contemporary designs such as Officina Sans, Din Mittelschrift and MetaPlus, Bougainville exhibits a similar flavor and compactness to Bodega Sans.
More…
This typeface family has been named in honor of the renowned eighteen-century French mathematician and explorer Louis-Antoine de Bougainville to whom we owe the naming of South Sea Islands and colorful tropical flora he discovered along his journey.
Bougainville makes for effective headings at any size and is equally readable at semi-display sizes.
Bouffant is a 1950s style script with a vintage t-shirt texture.
Alex Kaczun, originally designed BottleKaps for Linotype-Hell, in 1992, as a QuickDraw GX multi-master font series. A few new GX applications, like ‘Unicorn’, where able to utilize these unique fonts.
The GX application allowed the user to adjust weight and proportions, on the fly, including glyph substitution for small capitals, old style figures, swash and alternate endings. The technology was never successfully deployed by Apple, so the individual fonts, 21 styles and variations in all, where sold in the Linotype Font Library as separate Truetype fonts up until 1998.
Unfortunately, the fonts collected dust for many years thereafter, but now have been reworked and rejuvenated by Alex in OpenType format for both Mac and PC.
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‘BottleKaps’ is a ‘unique’, ‘playful’ and ‘decorative’ font series. Use it for those bold headlines to stimulate interest and show off your ‘unique’ individual style.
font family
“The Raphael of Flowers” is what they called Pierre-Joseph Redout a couple hundred years ago. The Belgian native became famous in France, where he painted floral watercolors for both Marie Antoinnette and Empress Josephine. But what cemented his legacy was his perfection of a stipple engraving technique that brought his art to the masses. Botanical Scribe is modeled after the neat, cursive hand-inscribed legends on these antique prints. Because it simulates handlettering, the font retains a warm, organic quality not seen in fancy modern scripts while remaining both elegant and legible. (Its many ligatures lends to this authenticity.) Good for formal invitations or historical simulations.
font family
“The Raphael of Flowers” is what they called Pierre-Joseph Redout a couple hundred years ago. The Belgian native became famous in France, where he painted floral watercolors for both Marie Antoinnette and Empress Josephine. But what cemented his legacy was his perfection of a stipple engraving technique that brought his art to the masses. Botanical Scribe is modeled after the neat, cursive hand-inscribed legends on these antique prints. Because it simulates handlettering, the font retains a warm, organic quality not seen in fancy modern scripts while remaining both elegant and legible. (Its many ligatures lends to this authenticity.) Good for formal invitations or historical simulations.
The BOT font package includes two character sets, BOT-Regular and -Stencil. The futuristic looking characters are designed to work in both large scale and small sizes; it works very well as a comfortable, readable lettering on machines of any kind as much as in print and screen publications. In addition, the BOT-Stencil letters can easily be cut out and work as a template for painting type on any surface.
family of 1 font from Nick's Fonts
This engaging slab serif face made its debut in the 1906 ATF specimen catalog, and wears well over a century later. Its warm lines and a wide stance ensure that your headlines will be noticed. Both versions feature the complete Latin 1252, Central European 1250 and Turskish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.
family of 1 font from Nick's Fonts
This bold, bodacious blackletter typeface is based on an offering from the 1832 Boston Type Foundry catalog.
Boston 1851 is based on a stereotype used by Wier and White, Printers of Boston, that was created by the New England Stereoype Foundry under the auspices of Hobart and Robbins, also of Boston.
This particular font has a nice strength combined with a fullness that lends to good legibility especially in smaller sizes. The italic version has a wonderful movement to it and also is extremely legible in fine print, perhaps, therefore not the best choice for fine print you do not want read.